Journeys into the otherworld in new track & accompanying video "Death Tapes" - Album ‘Psychogeology’ out this Friday, Feb 15 on Bronzerat - UK tour starts in two weeks

With her captivating, earthy new album ‘Psychogeology’ set for release this Friday, February 15th 2019 via Bronzerat, Essex-raised, Berlin-based Gemma Ray has shared a final pre-release track and accompanying video.

"Death Tapes" is an ex-voto delivered on a wave of gothic surf-disco that confesses her renewed urge to create purely for the sake of creation, proclaiming: “Deeper than the sound that took my body to the ground / I dig this hole”.

The video was created by Berlin director and comic book artist Ziska Riemann whose films Lollipop Monster, the recently premiered 'Electric Girl', and the highly anticipated 'Get Lucky', are cementing her reputation in Germany and beyond as a leading light in fantastical, genre-mixing drama.

As Riemann explains of the collaboration: "Gemma Ray's songs are very filmic. When I first listened to ‘Death Tapes’ it immediately inspired a visual world. The video became a journey into the otherworld. It takes place in a surreal landscape where the baron of death is roaming. Like a high priestess Gemma is reminding us of the certainty of death; her voice makes old souls return from their graves and rivers overflow. The sirens call and while everybody is digging their hole in the ground these ghosts keep on dancing."


Shares title track from new album


With her captivating new album ‘Psychogeology’ set for release on February 15th 2019 via Bronzerat, Essex-raised, Berlin-based Gemma Ray has shared the album's broody, enchanting title track.

Of the new track, Gemma Ray (who is also known for her distinctive guitar work with Sparks, Alan Vega & most recently The Can Projekt with Peaches & various others) commented: "This song sums up a thread that runs through the record, of how natural architecture can reflect and affect state of mind. It's a road song, or at least, it was largely written on the road and inspired by driving through epic landscapes whilst touring, particularly in the US and New Zealand. Believe it or not,  this originally had a James Brown-style funk rhythm, but I broke it back down into a more expansive mood that is more in keeping with the lyrics."

"The musicians that joined me on the record are ace (Gris-de-lin, Andy Zammit, Ed Turner), and I was also lucky enough to have another great guest musician with me for this song: the flute is played by Claudio Jolowicz of The Polyversal Souls - a German-Ghanaian/Afrobeat group
based in Berlin."


Announces new album ‘Psychogeology’ & UK tour dates

Gemma Ray Tour Dates & Tickets

Out February 15th on Bronzerat

Essex-raised, Berlin-based singer and songwriter Gemma Ray has announced her new album ‘Psychogeology’ for release on February 15th 2019 via Bronzerat.

While others have, in recent years, helped popularise the term ‘psychogeography’ – a flâneur-like urge to explore the urban environment and its impact, consciously and subconsciously – Ray is drawn to the time-defying, time-defining outcrops that exist beyond our cities, and the manner in which this natural architecture underlines “how small we are, how trivial the most unsurmountable of our personal problems”.
The first glimpse at this self-produced new album is the reverb-drenched, 70s pop swagger of “Blossom Crawls”, scattered with echoes of Fleetwood Mac, which tackles a specific incident – a panic attack in the back of a taxi – her overwrought sensation that “Blossom crawls back into its buds” transformed into an affirmative resolution to “put a stop to its cruel tricks/ Gonna get there first to soften the hit”.

The word ‘rock’ has many connotations, but for Gemma Ray, the most important is probably not the one you’d expect most musicians to nurse. The Essex-raised, Berlin-based singer and songwriter clings to its most fundamental definition, insisting that, when she takes to the road – as she did almost unremittingly in the year following the release of her last album, 2016’s acclaimed ‘The Exodus Suite’ – she find the time to explore the landscape that touring can reveal. In Ray's world, the word conjures up images of the grand, twisted formations she’s seen while travelling the world, whether in the immense deserts of the US or among the carved mountains of New Zealand.
It’s the development of Ray’s emotional connection to such spectacular scenes that lies deep at the heart of ‘Psychogeology’, which, in keeping with its subject matter, represents Ray’s most ambitious release to date, its intricate arrangements and textures – including choral and string arrangements – the result of almost a year’s labour determinedly hewn from rare periods of time available between tours. The album, she says, is “an ode to the majesty of landscape, the enormity of nature and time, and the inevitability of every human life eventually forming a minuscule part of further landscapes.”
This heartfelt eighth album was recorded in part at Ray’s own studio in Berlin’s old mint by the River Spree, but mainly by Ingo Krauss at Candy Bomber, buried deep within the Nazi-constructed buildings of the city’s former airport, Tempelhof. These historic edifices witnessed Ray emerge from beneath the shadows of her influences to claim her own unique musical territory, her voice still soaring, despite its naturally lugubrious tenor, and bathed in the ageless glamour of her tremolo guitar, one that, strikingly, she sometimes plays with a gleaming steel knife. Her mood is now emancipated, rising above the grim minutiae that can sometimes dominate daily life, and she’s certainly had struggles to confront: an on-again, off-again illness has, in recent years, left her occasionally debilitated.
That said, Ray is rarely less than busy, and has repeatedly found herself collaborating with other admiring artists. She’s worked alongside, among others, Sparks (who in fact produced Ray covering their own songs), Suicide’s Alan Vega (their collaboration turned out to be one of his final recordings), Howe Gelb (Giant Sand), Thomas Wydler (The Bad Seeds) and arranger Fiona Brice. She was also invited to perform with Potsdam, Germany’s legendary Filmorchester Babelsberg, and this December she’ll join them again, this time with Peaches, Einstürzende Neubauten’s Jochen Arbeit and other special guests as part of The Can Projekt, a celebration of ground-breaking ‘krautrock ‘pioneers Can taking place at Berlin’s famed Volksbühne Theatre.
‘Psychogeology’, however, documents Ray’s troubles, yet simultaneously expresses with zeal the ways in which she’s surmounted them to find her place in the world. “For me,” Ray concludes confidingly, “making a record is always in the end about celebrating my personal downsides or weaknesses and turning them into something that brings me joy, but hopefully speaks to others. Much of this one was written while reflecting during relentless touring and road trips, and these songs are devoted to the connection between emotion and landscape, how they mirror each other and feed off one another, as well as how this association inspires memories of loved ones.”
It’s a mindset crystallised on the phantasmagorical, unfettered title track, a cantata “where landscape breathes life into make believe”, leading Ray to a crucial, redeeming dénouement: “There are things that laid down heavy on me/ But now I'm free.” On the timeless ‘Psychogeology’ – a journey that celebrates triumphs over tribulations – Gemma Ray offers rock for all ages.


The newly announced dates are:

Feb 28: Ramsgate Music Hall
Mar 1: Leek, Foxlowe Arts Centre
Mar 2: Hebden Bridge, Trades Club
Mar 3: Newcastle, Cobalt
Mar 5: London, Dalston Victoria

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